There Is Hope

I have settled into myself. A sediment no longer clouds 
up in liquid bloom. In stillness, I see my particulates. 

I don’t know if it’s the same for you. M. tells me no one 
should be able to undermine my power, but isn’t power 

drawn from the threat of being thrown over? Take 
this bridge. Men engineered a line over water to connect 

two futures. I walk a bridge toward a future so slowly, 
a wisteria tracing the air for animal warmth. I no longer 

want to be animal warmth. Rarely does a bridge collapse. 
Pedestrians walk with purpose across time, from one

future to another. We line up to our loneliness here, 
alone, alive, to see the spectacle of it. The shine of sun 

over the surface of a river. Rarely do jumpers die
from drowning. The water is a splitting surface. The fall

another line connecting futures. The body stops at 
75 miles an hour, the organs jolt forward and sever. 

A man wrapped in soiled blankets sleeps, two dots 
and a line slacking futures. The sun shines over the river. 

On impact, the ribs break. The surface as hard as the past 
we cannot fix. I could have loved you fiercely.

— Featured in Overland (Copper Canyon 2023) and originally published on Jewish Currents

BOOKS

Overland

Overland cover: Overland is a dark blue and in all caps spaced across the top-center of the cover. Beneath, a wrinkled and speckled textile one-third in the same cobalt blue as the title, two-thirds slate gray. Natalie Eilbert is beneath the banner.
 
 

Indictus 
(winner of the 2016 Noemi Press Contest)

Pub date: 1/1/2018; for reviews and interviews, please contact me at n.d.eilbert [at] gmail [dot] com, or via my website.

Swan Feast (2015)

 

 

Chapbooks

And I Shall Again Be Virtuous (2014)

AISABV-COVER-web.png

Conversation with the Stone Wife (2014)